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・ Ignaz Moscheles
・ Ignaz Pallme
・ Ignaz Paul Vital Troxler
・ Ignaz Pleyel
・ Ignaz Pleyel Early Editions
・ Ignaz Puschnik
・ Ignaz Rudolph Schiner
・ Ignaz Schiffermüller
・ Ignaz Schuppanzigh
・ Ignaz Seipel
・ Ignaz Semmelweis
・ Ignaz Tiegerman
・ Ignaz Trebitsch-Lincoln
・ Ignaz Trollmann
・ Ignaz Umlauf
Ignaz Unterberger
・ Ignaz Venetz
・ Ignaz Vincenz Zingerle
・ Ignaz Vitzthumb
・ Ignaz von Born
・ Ignaz von Döllinger
・ Ignaz von Olfers
・ Ignaz von Peczely
・ Ignaz von Rudhart
・ Ignaz von Seyfried
・ Ignaz von Sonnleithner
・ Ignaz von Szyszyłowicz
・ Ignaz Waibl
・ Ignaz Wechselmann
・ Ignaz Ziegler


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Ignaz Unterberger : ウィキペディア英語版
Ignaz Unterberger

Ignaz Unterberger was an Italian and Austrian artist as a painter and printmaker, who was also a keen inventor. He was a member of a large dynasty of Tyrolian artists.〔Griffiths and Carey〕
Unterberger was probably born on 24 July 1748〔See Grant, Sarah (2014). 'The Ornament Prints of Ignaz Unterberger' in ''Print Quarterly''. Volume XXXI. pp. 282, footnote 12.〕 in Cavalese, located in the County of Tyrol, today in Italy. His initial artistic instruction came from his uncle Franz Sebald Unterberger (1706-1776). Unterberger Senior taught his nephew the style of the Tyrol. This was High Baroque - famed for intricate church altarpieces, sculpture and frescoes. Artists working in Vienna and Salzburg found themselves training in Rome, including Ignaz's elder brother. Christoph Unterberger (1732-1798)'s influence as a member of the Accademia di San Luca provided Ignaz with access to a pivotal group of Italian artists when he arrived in Rome in 1769. His ability to capture the Italian style was such that his painting 'Maternal Love' was thought to have been Correggio's.
Unterberger was a highly capable artist, with experience in creating frescoes, altarpiece paintings, bambocciata and marble work. The artist stated that he only painted for a livelihood, but printmaking was his real passion. Unterberger's printmaking is not particularly well-known, although some of his prints were included in the British Museum's 1994 exhibition and catalogue 'Printmaking in the Age of Goethe'. He did not engage in printmaking until he returned to Vienna from Rome in 1773, when he applied himself exclusively to the mezzotint. His inventions included an excavating machine for digging canals, a foot-pedal for the harp, and a machine for preparing mezzotint plates.〔Griffiths and Carey〕
Unterberger was never made a member of the Academy in Vienna, despite exhibiting there. Nevertheless his work was highly regarded, and the Imperial Chancellor Wenzel Anton, Prince of Kaunitz-Rietberg was a patron. His painting ''Hebe'' (1795) was a sensation for its lighting effects, and bought by Emperor Francis II for a large amount. He was also made a ''Royal and Imperial Court Painter''. Unfortunately, he only benefited from this role for two years before heart failure lead to his death on 4 December 1797, leaving a widow and nine children.〔Griffiths and Carey〕
== Notes ==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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